Talented Newcomer McKenna Grace Takes Titular Role in “Gifted”

An impressive ensemble of actors led by Chris Evans along with Oscar winner Octavia Spencer, Lindsay Duncan and Jenny Slate support young multi-talented actress McKenna Grace as she takes on the titular role in director Marc Webb’s “Gifted.”

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Evans plays Frank Adler, uncle and guardian of Mary (Grace) in “Gifted” who both lead normal lives until Evelyn (Duncan), Frank’s mom and Mary’s grandmother, decides to take custody of her grandchild. Frank’s sister entrusted him to raise Mary after she died for fear that her daughter might also be subjected to the pressures she’s been through as a prodigy. But as soon as Evelyn finds out about Mary’s intellectual state, Frank finds himself in a custody battle to keep Mary under his care.

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On finding the right child-actor, director Webb insists there was a good reason for the massive search: “I couldn’t have made “Gifted” unless I found the right Mary Adler. It was the biggest hurdle to making the movie. There’s an emotional depth and sophistication you don’t see very often in an actor, but for a child, that’s a level of
virtuosity that is incredibly rare.”

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Mckenna remembers it was very stressful meeting Marc Webb for the first time. “They had given me the wrong sides (scenes) to read, so he just gave them to me in the hallway. I had five minutes to memorize them. But once the audition was over, we just talked and had a fun time. I wanted this movie more than any movie I’ve ever wanted.” She says that she and Webb “had an amazing connection together. He was the perfect director for this job because we needed someone with a big, caring, loving, heart. He let me take my time when there was a crying scene. I would walk in, and he’d sit by the camera and he would cry with me, so then I didn’t really feel alone.”

Mckenna says she also learned a lot from working with Evans. “He was very focused on the set, and sometimes he would sit down and help me with my script.” Evans treated her “more like a friend, like he treats Mary. I really like that he treated me that way, except he did try not to say bad words around me.”

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Mckenna proves that she has a different kind of perspective, genius or not. When asked what the message in “Gifted” means to her, she gives a most moving and simple answer: “At the end of the day, no one can tell you if your family is perfect or not. You may just have a mom, or you may just live with your daddy, or two moms and two dads, or you may live with your grandparents, or you may have an uncle like Mary does. People say that the perfect family has to have a mom and dad, a big amazing house and a lot of money. But as long as you have a loving, caring person that you live with, then I think that’s perfect for you.”

Gifted opens Wednesday, May 3 in cinemas nationwide from 20th Century Fox to be distributed by Warner Bros.

Movie Review: ‘Apocalypse Child’ (2015)

Review by lou.

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With such a title like Apocalypse Child, you would begin to expect that this Mario Cornejo picture would be just as interesting as its title suggests. It actually ends up becoming like that, and so much more – including captivating cinematography and a soothing musical score from Armi Millare that you’d find impossible not to cherish. Opening with a narration accompanied by luscious, chilled-out imagery, it tells about the myths of Baler and pulls you right in – never holding back in bringing what’s best to keep you entertained, and to not mind the time that passes. It weaves complex threads to decode, and all of those matter in keeping the astonishing marvels that sit beyond the surface, which then gets exposed for a certain period. What forms that, and gets you thoroughly absorbed is the mystical sense that it brews which blurs fiction and reality – making the entire setting look not like what it seems. There are tales being told by different voices which makes it have a huge role in driving the film’s wheel, but you’re not quite sure whether one should believe them or not. Baler itself is subtly treated as a character, albeit one that is both ruinous, and a healer. By that grace, the film borders on adult-levels of comprehension – understanding its characters’ circumstances/situations very well, and going so far as to showing us the destructive consequences that could be bore from their actions that aren’t well thought out. All of that ultimately brings forth a potent, and pretty lovely combination of drama and humor that would sweep you away, which Cornejo handles with bursting sincerity that involves you in the circle.

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Plot-wise, it inherently lacks such as it tends to move away from the usual storytelling that we are all accustomed to. It throws the three-act structure away, and as it stares down at it, it creates a special kind of its own that shows just how real it could get that, what you see isn’t merely just a film.  Beautifully, what it lacks dispenses a soul that touches the humanity within, that makes you realize things in life worth cherishing. The past and the present collide with one another, and it teaches lessons to the characters that we see who endure something that they can’t just set loose. Pain is very much present, and could be seen in almost every one of them. The sadness that lies cold in their hearts emanate through their visage, and it registers so clearly as they maneuver in the town that has shaped their image. They are all carried superbly by a never-failing talented cast comprising of applause-worthy actors such as Sid Lucero and RK Bagatsing. Lucero’s inner darkness residing underneath his relaxed surfer look is always welcome while Bagatsing’s little but rather impressive acting is a must-see.

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Driven by dialogue that raises so many questions as to why something hurtful comes into play, we are challenged but not quite so, to figure out how it would all be resolved. We clearly see them suffering, and from all of that, we start to see ourselves in them. As they hold onto something, we begin to care. That is why that, as viewers, we are left to find out what lies in the film’s center; a human soul that contains every single one of us in where it stands so firmly. The experience that it leaves you with desires to be revisited, just as the eye-catching beaches of Baler does, and every moment transformed into a memory lingers. Apocalypse Child is the kind of film that would make you feel some type of way – possibly so, the emotionally unbearable feeling of dwelling in the past. See this film, and you’d probably know why living in the present, and leaving the ghosts of the past relieves and comforts any damage done. Mario Cornejo has made something truly remarkable – a masterpiece of sorts whose heated embrace resounds infinitely, like crashing waves enabling us to reflect and contemplate on what really matters.

Rating:

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* Apocalypse Child screenings will be held at Cinematheque Manila on May 4 & 5.

“Kingsman: The Golden Circle” Full Trailer Revealed!

The world’s unstoppable spies are back in Kingsman: The Golden Circle directed by Matthew Vaughn, who also helmed the phenomenal blockbuster “Kingsman: The Secret Service” that introduced a street kid into the world of espionage.

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In the latest instalment “Kingsman: The Golden Circle,” Taron Egerton reprises his role as Eggsy along with returning powerhouse cast led by Colin Firth, Mark Strong, Michael Caine and Sophie Cookson. This time, the returning Kingsmen are joined by new exciting and award-winning cast members including Sir Elton John, Jeff Bridges, Channing Tatum, Halle Berry and Julianne Moore.

In the recently revealed first trailer of “Kingsman: The Golden Circle”, our heroes face a new challenge. When their headquarters are destroyed and the world is held hostage, their journey leads them to the discovery of an allied spy organization in the US called Statesman, dating back to the day they were both founded. In a new adventure that tests their agents’ strength and wits to the limit, these two elite secret organizations band together to defeat a ruthless common enemy, in order to save the world, something that’s becoming a bit of a habit for Eggsy.

Prepare for a rip-roaring time at the movies when Kingsman: The Golden Circle opens in Philippine cinemas on September 27, from 20th Century Fox to be distributed by Warner Bros.

Advocacy Film “Ang Araw sa Likod Mo” in PH Cinemas Soon!

Philippines’ award-winning advocacy film “Ang Araw sa Likod Mo” written and directed by Dominic P. Nuesa is a gripping story of two brothers reunited despite being separated by conflicting beliefs. The movie also tackles the heroism of Filipino soldiers in the thick of a four-decade old war against terrorism starring a talented cast that includes Ping Medina, Bong Cabrera and Mike Liwag.

“Ang Araw sa Likod Mo” is Nuesa’s full-length film feature debut and has been nominated in the upcoming prestigious Nice International Awards (2017) in the most coveted categories such as Best Director – Dominic Carlo P. Nuesa, Best Lead Actor – Mike Liwag, Best Supporting Actor – Ping Medina, Best Editing – JavierAbola and Best Sound – Greg Rodriguez III.

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Produced by Nuesa’s An Earth Below Productions, “Ang Araw sa Likod Mo”has already won five international awards – Best Film in Auckland International Film Festival, Global Award Winner at the Europe-based ARFF (Around Films International Film Festival), and Awards of Recognition for Feature Length, Best Actor (Bong Cabrera) and Best Supporting Actor (Mike Liwag) at the US-based Accolade Global Film Competition.

Inspired by the real stories of Special Operations soldiers in the country known as the Philippine Scout Rangers, “Ang Araw sa Likod Mo” is an intense film filled with raw action that introduces brothers Jamiluddin (Cabrera) and Omar (Liwag) along with Sgt. Benjie Calayan (Medina) within the terrorist infested island in Southern Philippines.

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Opening very soon in local theaters nationwide this May 24, majority of the proceeds from the box-office receipts of “Ang Araw sa Likod Mo” will be donated to Help Educate and Rear Orphans (HERO) Foundation, Inc. The foundation aims to uplift the families of soldiers from the Armed Forces of the Philippines who were killed or incapacitated in the line of duty by providing educational assistance to their children to obtain a college degree or vocational course. In return, this will help them to have a wider range of opportunities in their future and our society.

By taking care of their children, HERO Foundation salutes the Filipino soldiers for their sacrifices.
Director Dominic Nuesa is also an avid supporter of HERO Foundation, Inc. His support to HERO Foundation started when he directed a corporate video for the organization. From this project, he met the scholars of HERO Foundation and was inspired to tell their stories into film. He was inspired by their stories and was compelled to help raise awareness. It then became his mission to tell fellow countrymen that the HERO Foundation needs the nation’s help, and that their fathers or mothers, both soldier and civilian, need to be honored.

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“Ang Araw sa Likod Mo” is a testament to heroism and sacrifice, and challenges us to be more knowledgeable and understanding when trying to make sense of violence and national security. Fighting for a cause, or making a stand, one eventually must sacrifice something and ultimately asks if it was worth it.

A pioneering fusion of filmmaking and advocacy at its best, “Ang Araw sa Likod Mo” is part of this generation’s must-see in an emerging genre of relevant films that aims to elevate the youth’s awareness about the complexities of the Muslim conflict. Check the film’s trailer here: https://www.facebook.com/AngArawSaLikodMo/videos/252284628564649/

Filming Has Begun for Jon M. Chu’s ‘Crazy Rich Asians’ Film Adaptation + Cast Has Just Been Announced!

It seems so apparent that Singaporean writer Kevin Kwan’s 2013 best-selling novel Crazy Rich Asians is soon going to be turned into a film after gaining the attention of readers who saw his work as a brilliant fable relating to Asian-American cultures. It turned out to be such a success that director Jon M. Chu who directed the mind-bending thriller Now You See Me 2 is going to take control in adapting the book into a movie.

 

In the film, Constance Wu plays the young Asian-American Rachel Chu who takes a trip to Singapore with her longtime boyfriend Nick Young – portrayed by newcomer Henry Golding. In an unexpected turn, Rachel finds out that her Asian suitor belongs to one of the wealthiest families in Malaysia. What follows next sees Rachel keeping up with several socialites and Nick’s mother who will be played by the always impressive Michelle Yeoh. 

Just recently, the cast has been announced in a press release. Consisting of Asian actors and actresses, Crazy Rich Asians will star Chris Pang (Marco Polo), Sonoya Mizuno (La La Land), Ronny Chieng (The Daily Show), and some Singaporean actors –  including Pierre Png, Fiona Xie, and Tan Kheng Hua. The movie will be co-produced by Nina Jacobson of The Hunger Games and Brad Simpson (World War Z) of Color Force, alongside John Penotti  who produced last year’s Hell or High Water. Warner Bros. will be in charge of worldwide distribution. 

Filming locations are expected to take place in both Singapore and Malaysia with Vanja Cernjul of Marco Polo as its director of photography. Seeing that Chu has made a lot of high-profile films, it might be a bit of a challenge for him to take on a satire of contemporary taste. But still, he might be capable. We’ll just have to wish for the best as of now.

Philippine release date is to be announced.

 

Movie Review: ‘Guardians of the Galaxy Vol. 2’ (2017)

Review by: lou.

If you’ve perfected the art of surprise with a film that endearingly introduces unknown characters, then you’ve got to know that making a sequel that is just about on the same level as the original is going to be a tough act to follow. That doesn’t turn out to be that big of a problem however for James Gunn with Guardians of the Galaxy Vol. 2. In this long-awaited follow-up, our heroes are faced with a greater threat – an alien race known as ‘The Sovereign’, and as they attempt to flee, they are helped by a man that claims to be Star-Lord’s long-lost father. Paternity and the central idea of family are themes that are hit on, and they are narrative aspects which allows to create a more intimate circle that lets us get in on the drama and the captivating spectacles that get bore from them. Our heroes are challenged here, but if you were to think that the film would get darker and less fun with it being a chunky sequel, then you must leave all of those expectations out of the door.

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More of the same charm that we pleasurably sunk our teeth into its predecessor is delivered in a larger and prettier package, and the only feeling that you would get from that is pure satisfaction. Their appearance of a dysfunctional family is pretty much at bay, and character development is something essential that they bring along the way. Gunn really wants us to know more about these characters, and in an attempt to do that, he divides the Guardians, and leaves us with each of them to savor every single, delectably giddy moment that they create. Even the new additions are very much welcome – be it Kurt Russell’s conceited yet cool Ego or Pom Klementieff’s adorable Mantis, everyone is committed to bringing something weighty and explosive to this thrill ride. An almost equal amount of screen-time is allotted for each star, and this gives us the opportunity to see them step up with performances that are so clearly enthusiastic, that by simply looking at their faces, you already know what you are in for. This comes in early, as early as the knee-slapping opening credits arrive wherein Vin Diesel’s Baby Groot’s dancing steals the show with his adorable presence as immediately as the narrative requires him to.

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Subtly, there’s a meaning to that which relates to the story being set to the sonic backdrop of Awesome Mix Vol. 2, and it tells more about these characters as they have grown up over the time. Groovy tunes and deeper cuts surround them, and in that, James Gunn pumps up the volume and lowers it all the way down all at the same time – marvelously so with intricacies sparkling on all sides. Though the music effectively accompanies the moving pictures that we see, it seems like something gets lost in the mix. With that occurring, what becomes evident then, is the film’s diminished sense of surprise and total astonishment even if the supposed simplicity of its narrative takes a few turns at being a bit complex for the human emotion to endure on some occasions. During the climax, you’d feel like it’s doing a bit too much, but it’s easy to just be cool with it seeing that its own filmic ailments gets cured by its own unceasing vigor that actually transforms its weaknesses into a strength.

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Getting you cornered within an emotional breakdown and farewell that stems from what’s visceral and sincere, the very final minutes of Vol. 2 breathes as one of the most powerful and tear-jerking moments in the Marvel Cinematic Universe. That’s where its beating heart is exposed for us to see and feel, and it leaves us where it brought us in the first place – its soul. Music merges with film so seamlessly, that it’s impossible to not get moved by it. Attaining the viewers’ satisfaction is a goal that it so eagerly wants to achieve, and because it does all of the right things, definitely, it wins our graces once again without fail whatsoever as the curtains close, and we sit and groove to its funked-out end credits. Marvel Studios has truly realized that they have found a national treasure in James Gunn, and both him and them really take advantage of that. He really rains down fun in tons and heaps, and it just never stops. The best part? it isn’t tiresome AT ALL.

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Once you sit through one giggle-inducing sequence, you’d really thirst for more. And what does he deliver? Exactly just that. He’s pretty much honest when it comes to the story  – it doesn’t really have that much depth to pack in, but you couldn’t get wrong with that either. Admittedly, it’s just here to give us a rollicking good time again since the speciality of its original isn’t so easy to be replicated. And so, it creates a new brand of awesomeness to slap onto our ecstatic faces. From all that, it’s not hard to see that Gunn wants to see us smile from time to time as we jump into this beautifully-colored cinematic galaxy, and for that, we are everything but ungrateful for letting him do his work with maximum effort, and heed our cries. Guardians of the Galaxy Vol. 2 is the candy-colored blockbuster sequel you’ve always wished for as it softens the heart and makes you laugh out loud from all of its stored energy that only goes all the way up. So, strap in, and see this in the biggest screen that you can, because this is a ride that you won’t get out of your mind any time soon. We’re absolutely ready for Vol. 3!

Rating:

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  • Guardians of the Galaxy Vol. 2 opens in Philippine cinemas today! Distributed by Walt Disney Studios. See it in IMAX!

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    #RockTheGalaxyPH 

Experience the Alien in You and Bring Home an “Alien: Covenant” Poster On ‘Alien Day’ at Trinoma Cinema

In anticipation of the year’s most terrifying film by Ridley Scott “Alien: Covenant” that will open on May 10 in Philippine cinemas, fans and enthusiasts are in for a treat dubbed as “Alien Day” on April 26 as the groundbreaking franchise offers 24-hours of fan-focused activities worldwide.

“Alien Day” on April 26 is a nod to planet LV-426 from the iconic Alien films, as the countdown continues for the highly anticipated new chapter in Ridley Scott’s groundbreaking sci-fi thriller, “Alien: Covenant,” releasing in theaters worldwide beginning May 10. Cast members from “Alien: Covenant” will join fan-focused festivities including a live streaming event, an interactive trivia challenge, worldwide screenings, all-new product launches, special reveals and more.

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The worldwide Alien Day fan activities include livestreaming event at Fox Studios in Los Angeles on all Alien social channels and on the newly launched ALIEN Universe Hub (www.AlienUniverse.com ), fans can interact with the cast via a question and answer session as well as view multiple behind-the-scenes segments highlighting the making of “Alien: Covenant” and for the hardcore nerds there’s the “MU/TH/UR of all ALIEN Trivia Challenges” – available for only 24 hours on http://www.AlienUniverse.com , Fox will unveil a new quiz every 4 hours and 26 minutes.

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On the local scene, in Metro Manila, experience the alien in you in the “Alien: Covenant” Utero, a photo exhibit at Ayala Malls Cinemas’ Trinoma Cinema lobby wherein one can experience firsthand via VR (virtual reality) being borne as an alien starting April 26, Wednesday (7:00pm). Early birds will also get a chance to take home a limited collectible “Alien: Covenant” poster at the kick-off of Alien Day in Trinoma Cinema.

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This is something you have never seen and experienced before! Step into the “Alien: Covenant” VR experience at Trinoma where participants will be immersed into a living nightmare and offer an experience that will feel like the first memory of an alien neomorph at the time of its birth. The virtual reality puts you in the first person’s POV (point-of-view) as if you were a neomorph fetus being borne and ends up bursting from a person’s back. Experience it all – visual and auditory as the “Alien: Covenant” Utero brings you a womb-like environment created with extreme level of detail and realism.

“Alien: Covenant” is set ten years after the events depicted in Ridley Scott’s 2012 hit “Prometheus.” Now, “Alien: Covenant” returns to the roots of the director’s groundbreaking saga with a uniquely terrifying tale filled with white-knuckle adventure and monstrous new creatures. With this, the sixth installment in the blockbuster series, the visionary director edges ever closer toward revealing the mysterious origins of the mother of all aliens, the lethal Xenomorph from the original film.

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Brace for inescapable terror when “Alien: Covenant” opens in Philippine cinemas on May 10 – from 20th Century Fox distributed by Warner Bros.

Cannes 2017 Directors’ Fortnight Lineup Announced!

This morning, the selection of the 49th edition of the Cannes Directors’ Fortnight has just been announced by its director, Edouard Waintrop in a no less than 40-minute presentation made on Thursday. The entries were much lauded in spite of the section being non-competitive. However, members of the  Société des Réalisateurs Français which is charge of organizing the event, do dole out some praises. Included among the many entries is The Florida Project by Tangerine‘s Sean Baker.

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Here’s the full lineup:

Un Beau Soleil Interieur,” by Claire Denis (Opening Night Film)
A Ciambra,” by Jonas Carpignano
Bushwick,” by Cary Murnion and Jonathan Milott
Patti Cakes,” by Geremy Jasper
Alive in France,” by Abel Ferrara
L’amant d’un Jour,” by Philippe Garrel
Curio Puri,” by Roberto De Paolis
The Florida Project,” by Sean Baker
Frost,” by Sharunas Bartas
I Am Not a Witch,” by Rungano Nyoni
Jeannette: The Childhood of Joan of Arc,” by Bruno Dumont
L’intrust,” by Leonardo Di Costanzo
La Defensa del Dragon,” by Natalia Santa
Marlina Si Pembunuh Dalam Empat Babak,” by Mouly Surya
Mobile Homes,” by Vladimir de Fontenay
Nothingwood,” by Sonia Kronlund
Ôtez-moi d’un Doute,” by Carine Tardieu
The Rider,” by Chloé Zhao
West of the Jordan River (Field Diary Revisited),” by Amos Gitai
Ague Mole,” by Laura Goncalves and Alexandra Ramires
La Bouche,” by Camilo Restrepo
Copa-Loca,” by Christos Massalas
Creme de Menthe,” by David Philippe Gagné and Jean-Marc E. Roy
Farpões, Baldios,” by Marta Mateus
Min Borda,” by Niki Lindroth von Bahr

The 70th Cannes Film Festival will be held from May 17-18. Here’s hoping that we see  these entries in a cinema near us soon.

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Intrigue Seeps in the Trailer for Sofia Coppola’s “The Beguiled”

Academy Award winner Sofia Coppola returns with another darkly delectable drama with “The Beguiled“.

Watch the newly released trailer here:

The Beguiled is an atmospheric thriller from acclaimed writer/director Sofia Coppola. The story unfolds during the Civil War, at a Southern girls’ boarding school. Its sheltered young women take in an injured enemy soldier. As they provide refuge and tend to his wounds, the house is taken over with sexual tension and dangerous rivalries, and taboos are broken in an unexpected turn of events.

Looking at the trailer and the synopsis, it seems like this is going to be yet another remarkable addition to the renowned filmmaker’s filmography. It may be a far cry from her other works, but one thing can only be certain: it will be something worth sitting through knowing how masterful and accessible her crafts are.

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The Beguiled boasts an all-star cast consisting of Nicole Kidman, Kirsten Dunst, Colin Farrell, Elle Fanning.

The film opens on June 23 in the US. Sadly, no PH theatrical release has been in talks.

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Terrifying Cinematic Event Happens in “Alien: Covenant” On May 10

Director Ridley Scott brings another yet unforgettable cinematic event in “Alien: Covenant” starring Michael Fassbender, Katherine Waterston, Guy Pearce, Billy Crudup, Danny McBride, Carmen Ejogo and James Franco.

“Alien: Covenant” takes place ten years after the events of Prometheus and follows the crew of the colony ship Covenant, which has discovered a promising new planet. Also on board the colony ship Covenant is humanoid Walter (Fassbender) who is in charge of managing the ship’s safe journey until it’s time for the mission crew to wake from years of cryo-slumber. Once awake, the team finds a planet just like earth and soon comes in contact with David (Fassbender), the synthetic survivor of the doomed Prometheus expedition. The uncharted world that looks like paradise at first soon turns dark and dangerous when a hostile alien life-form forces the crew into a deadly fight for survival.

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A visual spectacle, “Alien: Covenant” will bring the audience to an immersive world where humans have nowhere to run and hide from the monstrous creatures who wreak of nothing but carnage.

Fassbender plays dual role as humanoids David and Walter, both made to be the ideal hassle-free companion in all of man’s most ambitious expedition in space. Fassbender as Walter is the latest humanoid creation, an extremely efficient modification with unrivalled data processing and is free of emotions. When the ship Covenant Walter mans makes an unscheduled stop at the nearest planet, they didn’t realize that they have descended into hell’s path finding themselves trapped and helpless in a world full of hostile alien life forms.

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“I think Walter’s a real different kettle of fish. David was definitely a work-in-progress, somewhat of a prototype I suppose. The elements of him that were the human elements I think people found a little disturbing, so Walter’s more of a straightforward robot. Pretty logical and more of a servant without the ego. So Walter is really just a very straightforward, logical synthetic really. He’s just more like a Dr. Spock type character, whereas David—it’s 10 years since we last saw him without any maintenance. So those human qualities have gathered some momentum I suppose or they’re as much a part of him now as synthetic qualities. Walter’s just really there to serve the ship and its crew,” says Fassbender of his dual role.

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Alien: Covenant” opens May 10 in cinemas nationwide from 20th Century Fox to be distributed by Warner Bros.

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